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Art Diary International 2013/2014
is now out, packed with contact information for galleries, museums, artists, curators, critics, and other professional arts services around the world.


Guido Van Der Werve
Maria Rosa Sossai

MONITOR - ROME

 

In Guido van der Werve’s films the memory of the art of the past, embodied in the concept of the “Romantic Sublime,” revives in a challenge with the present, which constantly renews itself. Nummer twaalf, variations on a theme: the king’s gambit accepted, the numbers of the stars in the sky and why a piano cannot be tuned or waiting for an earthquake (2009), presented for the first time in Italy by Galleria Monitor in Rome, conducts the audience in even more daring spheres of knowledge.

 

GUIDO VAN DER WERVE, Nummer twaalf..., 2009. Film, 45

min., photo, 76.2 x 101.6 cm. Courtesy Monitor, Rome; Juliette

Jongma, Amsterdam; Marc Foxx, Los Angeles. Photo: Willem van der Jagt.

 

The acts are tangible but destined to remain unresolved: Composing a concert for chess and piano in A minor on a piano-chessboard of his invention, researching the perfect tune on a piano and, finally, embarking on the impossible challenge of counting the stars. The meditative, slow rythmed musical score, subdivided into three movements, opens with the artist engaged in a chess game at the renowned Marshall Chess Club in Manhattan, attended by Duchamp himself during his stay in

New York. Then, in the second and third movements, the film moves through natural, boundless landscapes, made even grander by the aerial shots, while the artist’s slight figure progressively walks away.

The alternation of close-ups and long shots renews a double distance that creates a unique and unrepeatable vision. For the artist, using images means working on emotions, enhanced by experimental combinations between apparently distant fields and made tangible in the performance that opened the exhibition, during which he played his piano-chessboard, accompanied by a violin orchestra. It is a way of

metaphorically summarizing the meaning of every work of art — contributing to the renewal of its language and to the invention of new thought.

 

(Translated from Italian by Jacopo Penzo)

 
 
 

Flash Art 269  NOVEMBER - DECEMBER 2009


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