Flash Art

Flash Art n.295 - single magazine
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Paris - 12/11/2014
The 18th edition of Paris Photo opens 13 November
The 18th edition of Paris Photo is held from November 13 to 16, 2014. The world's top Photography Fa...
Taipei - 08/09/2014
Taipei Biennial
Taipei Biennial 2014 opens on September 12. Curated by Nicolas Bourriaud. The title of the exhibiti...
Gwangju - 05/09/2014
Gwangju Biennale opens September 5
The president of the Gwangju Biennale Foundation—Lee Yong-woo' s resignation becomes effective aft...
St. Petersburg - 28/08/2014
FIAC to be launched in St. Petersburg?
France’s leading contemporary art fair, Foire Internationale d’Art Contemporain (Fiac), which is...
Sydney - 07/08/2014
Stephanie Rosenthal appointed Artistic Director of the 20th Biennale of Sydney, 2016
The Biennale of Sydney announced  the appointment of Stephanie Rosenthal as Artistic Director of th...

Begins: 06/09/2011
Finish: 31/10/2011

Dublin Contemporary
Begins: 08/09/2011
Finish: 11/09/2011

Berliner Liste
Begins: 08/09/2011
Finish: 10/09/2011





Flash Art invited Tim Davis and Joe Hagan to share a fragment of their practice during the journey.


Michael and Cody


I'm a photographer who's always been skeptical of the portrait. A picture of person is always less interesting than an actual person, where a picture of a thing is just another thing, and might be even more interesting than the original. So when my friend, the journalist Joe Hagan, and I started talking about making a project together examining the tenor and texture of the American dream, I felt I had an opportunity to open and deepen the prospects of the photographic portrait. He is a professional profiler, trained to wring meaningful information out of recalcitrant sources; getting Karl Rove to show him his baby shoes. So we decided to set out across the country making portraits in the WPA tradition, meeting people and letting their voices leach through the flat affect of the photograph. The process is utterly liberating. It often takes some persuasion, but when people look past the microphone being pointed at them, they see an opportunity to have their voice—no matter how untrained—amplified and heard. So we are moving through the real world, a place so diminished in stature these days by virtuality that most people don't notice it at all. People keep saying that our digital networks are making the world smaller. Of course it's exactly the same size, only everyone is paying less and less attention to it. Our hope, no matter how outrageous in scope and ambition, is to make a sounding of the aspirations of the American people at this very instant, across class, race, gender, level of education and certainly political divides. It's like poking a fork into the milky way and hoping to understand all of astronomy, but one doesn't look at the oral histories of Studs Terkel and fault them for their inevitably failed ambitions. So much contemporary discourse—political, art historical, journalistic— is hemmed in by hardened positions. This project is fluid and open ended. It is dedicated to the dreams of the people we meet no matter how uninterpretable they may be. It may not even be art. It may stay closer to life than art. I kind of hope so.


                                                                                                                          Tim Davis





Tim Davis is an artist and writer currently at work on a long-form music and video project called It’s OK to Hate Yourself. His work is in the collections of the Metropolitan Museum of Art, Whitney Museum of American Art, Guggenheim Museum and the Walker Art Center, among many others. He teaches photography at Bard College.

Joe Hagan writes about politics and media for New York Magazine and Rolling Stone. He has published long-form profiles and investigative exposes on Karl Rove, Henry Kissinger, Bill Maher, Dan Rather, Goldman Sachs, The New York Times, Twitter and the Bush family. In 2010, he discovered and wrote about the secret diary of civil rights singer Nina Simone.

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Jonathan and Redmond





Nicole and Cassi and Janessa and Savannah and Jordan





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