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Art Diary International 2010/2011
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PARTYING LIKE IT’S 1999


Maureen Sullivan on the art fair solar system in Miami

 

MIAMI - Apparently denial is not just a river in Egypt. It was alive and well and fueling the usual manic, though slightly more manageable, series of parties in South Beach during Art Basel Miami. Even with the dismal forecast for art sales, maybe because of the dismal forecast, visitors seemed to follow Prince’s advice to party like it’s 1999 and embraced the sultry last hurrah before hibernating for the winter.
 

Artist and White Columns director Matthew Higgs;

Young Kim, Malcolm McLaren, Cay Sophie Rabinowitz at MAM.

All Photos: Maureen Sullivan.

Champagne flowed from Visionaire's fountain at the Raleigh, chauffered Jaguars drove special guests to the Marilyn Manson exhibition, Cartier commissioned David Lynch to create an interior environment for a jewelry display passing itself off as art, and the new hotels and lounges constructed during more optimistic times — the Mondrian, Louis at the Gansevoort South, and the revamped Fontainebleau — got into the game by footing the bill for nightly extravagant parties and dinners. A red wagon at the Delano with the simple graphic “recess-is-on” summed up the duality of the surreal experience. 
 

The artish crowd;

Something happening in a taxi.

But we were there to see the art, right? With so much going on, choices had to be made to leave out more than half of the amazing talks, museum shows, and smaller fairs to keep my head from exploding. And I confess, I really don’t like the mallification of the art experience. So I eased into the action via the anti-fair at The Station – the 12,000-foot empty corporate space curated by Shamin Momin and Nate Lowman.

 

Rirkrit Tiravanija's Mirrored Ping Pong Table at NADA;

PS1 Founding director Alanna Heiss and MoMA Klaus Biesenbach.

Three floors of excellent work were on view, but the hit of the show, and most talked about piece in Miami, was Hello Meth Lab With a View (2008), by Jonah Freeman and Justin Lowe. Creating an immersive and quite convincing derelict house interior, reminiscent of a Mike Nelson installation, the viewer was invited to trespass from room to room leading to a makeshift meth lab. Even exiting the show was an event with music DJ’d by White Columns’s Matthew Higgs and a good swag bag including Havaiana flip flops to size, grey goose vodka and shaker, and a purse by Nate Lowman.
 

"The Station" co-curators artist Nate Lowman and Whitney Museum Shamim M. Momin;

Oliver Payne & Nick Relph at Herald St.'s booth.

Next day was NADA, always my favorite fair, and with so much happening in the garden, it was hard to head inside. Rirkrit Tiravanija’s $45,000 mirrored ping-pong table was so irresistible it was snatched up by collectors mid-game. I asked if seeing one’s reflection brought out the inner narcissist and distracted from the game, but apparently no one looks good at that angle so it’s easy to keep your eye on the ball.
 

Olaf Breuning's muse Brian Kerstetter;

My Barbarians's Hystera Theater, Steve Tuner's container.

Clare Rojas, under the guise of her alter ego Peggy Honeywell, was one of many musicians who serenaded the less athletically inclined, who were comfortably reclining in the hammocks. Dutes Miller and Stan Shellabarger, two burly bearded men whose performative art has the tag line “always together, always in public,” sat 20 feet apart peacefully crocheting what is likely to be the longest pink shawl in the world, continuing one of their many never-ending collaborative performances. Inside, at Workplace Gallery, videos by Marcus Coates including Dawn Chorus (2007), in which amateur singers replicate bird sounds in their own domestic environments, and another work featuring an animal covered Shaman trying to heal the world, enticed me to seek out the Art Video Lounge. There I timed it right to catch consecutive videos by Yael Bartana, Omer Fast, and Roman Signer from a strong selection of new works curated by Rike Frank.

 

Marilyn Manson and Ivana Trump;

Jonah Freeman and Justin Lowe's Hello Meth Lab With at The Station.

The main fair was beautiful and, playing it safe, featured the quality “best of” highlights that separate the Art Basel players from the newcomers. Deitch’s booth never disappoints and this time featured Jon Kessler’s kinetic Random Acts of Senseless Violence (Part 2) (2007) and Vanessa Beecroft’s life-size wax figure in lieu of the live models that could never stay quite as still. The Art Nova booths, presenting new work by one artist, provided the most engagement in the attention deficit environment. Aaron Young’s decadent 24-carat-gold-plated fence enticed but intimidated viewers into entering Bortolami-Dayan’s booth, and caused much conversation between passersby about if it was real gold. Reminding us that the new year was just around the corner, Oliver Payne and Nick Relph created a wall installation of “2009” calendars at Herald St’s booth.
 

Jon Kessler's Random Acts of Senseless Violence (Part 2) at Deitch Projects booth;

Gelitin's Ali Janka with a friend at Le Baron Nightclub.

Giving a nostalgic history lesson of who was in vogue enough to be calendar-worthy over the past six decades, Dolly Parton, Nixon, Marcia Brady, Frank Sinatra, and Star Trek’s Spock were a few of the faces featured on the found calendars that coincided with the same days as 2009. At Deitch’s counterpart, Peres Projects, a framed, faded Mickey Mouse t-shirt by Dash Snow spread the message “A hand job is better than no job.” A warning to art workers to kiss ass to save them from falling prey to layoffs like those announced by Sotheby’s that day, or just “bullshit” as the writing on the top of the t-shirt stated? 
 

Faux Press Performance at Art Positions;

Dutes Miller and Stan Shellabarger at NADA.

By then, Doug Aitken’s neon sculpture Start Swimming (2008) at 303 Gallery spoke loud and clear, reminding me why they stage this fair in Miami, so I slathered on the sunscreen and headed to the beach. Greeted by jelly fish, I instead talked Olaf Breuning into posing in front of his sphinx-like sand sculpture then went on to explore the shipping containers at Art Positions. We’re busy New Yorkers, probably the most audibly impatient waiters in the world, so the purposeful anxiety produced in Sean Raspet’s waiting room at Daniel Reich’s container, followed by schizo-paced videos in the “mystery room,” made the escape to My Barbarian’s Hysteria-Theater (2008) at Steve Turner’s much appreciated.
 

Artist Jordan Wolfson with a friend at Visionaire party;

Clare Rojas a.k.a. Peggy Honeywell performing at NADA.

There I found three of the four members of the collective slumped against the wall trying to work up the energy to create spontaneous performances in response to the video projected in the red womb-like environment. Then the best of Miami and New York came together thanks to mother nature’s sky art, a stunning sunset of reds and pinks, accompanied by a musical soundtrack courtesy of WPS1 Radio.

 

Canada's booth;

Marcus Coates' video at NADA.

 

Recess is On at Delano Hotel Garden;

From the right: PS1 assistants to the director Tim Goossens and Beatrice Johnson, artist Scott Hug with a friend at K48 release party hosted by Aqua Art Fair.

 

Artist Olaf Breuning with his Sandcastle;

Daniel Reich and with Daniel Reich gallery Laura Higgins.

 

A sculpture by Vanessa Beecroft at Deitch Projects booth;

A performer at Aqua Art Fair.

 
 
 


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