2015 / 301 March – April 2015
Issue 301
March - April 2015

Contents

Arena
Adam D. Weinberg on the reopening of the Whitney Museum, New York; Sheikha Hoor Al-Qasimi on the UAE Pavilion for the 56th Venice Biennale; Adeline Ooi on Art Basel Hong Kong; José Kuri and Monica Manzutto on kurimanzutto, Mexico City; Spitzenprodukte’s Chubz: The Demonization of my Working Arse by Montez Press; Andre Walker, New York; Arthur Fink, Fabian Marti and Oskar Weiss on Hacienda, Zurich; Anton Belov on the Garage Museum, Moscow; Sylvia Kouvali on Rodeo, Istanbul/London; Martine Syms and K-Hole on the New Museum Triennial, New York; Lotic’s EP Heterocetera on Tri Angle; Nathalie Du Pasquier’s Don’t Take These Drawings Seriously by Powerhouse Books

Feature
The Vanishing Nowhere
by Venus Lau

Feature
Plastic Spiritualism and Nice Hair — Alex Da Corte
by Laura McLean-Ferris

Feature
Do It Better — Jeremy Deller and Mark Leckey
by Matt Williams

Feature
The Thumbnail
by Orit Gat

Feature
Unalterable Strangeness — Greer Lankton
by
Andrew Durbin and Paul Monroe

Feature
What If? — Jam City
by
Steph Kretowicz

Reviews
John Waters Marianne Boesky/New York; Villa Design Group Mathew/New York; Gruyter & Thys CCA Wattis/San Francisco; Anna Sew Hoy Various Small Fires/Los Angeles, Eric Wesley 356 Mission/Los Angeles; Dancing Museum MAM São Paolo; Paul Kneale Evelyn Yard/New York; Ruth Ewan Camden Art Centre/London; Melgaard+Munch Munch Museum/Oslo; Walter Dahn Sprüth Magers/Berlin; Jan Peter Hammer Supportico Lopez/Berlin; Mélanie Matranga Karma/Zurich; Gianni Colombo Monica De Cardenas/Zuoz; Dora Budor New Galerie/Paris; Carol Rama MACBA/Barcelona; Noa Glazer Tempo Rubato/Tel Aviv; 1199 People Long Museum/Shanghai; Kishio Suga MOT/Tokyo